In Coralie Fargeat's new feminist scary flick The Substance, hazardous social appeal criteria are actually the true creatures. They (women objectification, the disposal of "the aged," the spreading of a market built on body system customization) feed a beast of a cycle that leads Demi Moore's fading TV individuality https://abellfromhellclips.onzeblog.com/29996779/the-substance-2024